Music
Early Years Foundation Stage (EYFS) – Expressive Arts and Design
The educational programme for expressive arts and design, set out in the EYFS Framework, is delivered in our reception classes in line with the Extend Reception Curriculum.
Key Stage 1 and 2 – Music
We follow the national curriculum.
We use the Sing Up Music scheme of work for an active musical approach to lessons, connecting singing and playing, composing and improvising, listening and appraising. Sing Up Music supports the model music curriculum.
Curriculum Overview
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Music |
Term 1 |
Term 2 |
Term 3 |
Term 4 |
Term 5 |
Term 6 |
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Year 1 |
Song - Menu song Active listening (movement), beat, echo singing, showing pitch moving |
Song - Menu song Active listening (movement), beat, echo singing, showing pitch moving |
Song – Football Beat, ostinato, pitched/unpitched patterns, mi-re-do (notes E-D-C) |
Song – Football Beat, ostinato, pitched/unpitched patterns, mi-re-do (notes E-D-C) |
Song - Come dance with me Call and response, echo singing and playing, playing percussion, crotchet, quavers, crotchet rest, developing beat skills |
Song - Come dance with me Call and response, echo singing and playing, playing percussion, crotchet, quavers, crotchet rest, developing beat skills |
|
Year 2 |
Song - Tony Chestnut Beat, rhythm, melody, echo, call-and-response, tuned and untuned percussion |
Song - Tony Chestnut Beat, rhythm, melody, echo, call-and-response, tuned and untuned percussion |
Song - Grandma rap Duration (crotchet, quavers, crotchet rest), unison, round |
Song - Grandma rap Duration (crotchet, quavers, crotchet rest), unison, round |
Song – Tanczymy labada singing games, traditional Polish dances, follow a changing beat and tempo, playing percussion accompaniment |
Song – Tanczymy labada singing games, traditional Polish dances, follow a changing beat and tempo, playing percussion accompaniment |
|
Year 3 |
Song - I’ve been to Harlem Pitch shape, ostinato, round, pentatonic, call-and-response |
Song - I’ve been to Harlem Pitch shape, ostinato, round, pentatonic, call-and-response |
Song - Latin dance (Classroom percussion) Salsa, beat, clave rhythm, timbre, chords, rhythm pattern |
Song - Latin dance (Classroom percussion) Salsa, beat, clave rhythm, timbre, chords, rhythm pattern |
Song – Fly with the stars minor and major chords, dot notation, durations |
Song – Fly with the stars minor and major chords, dot notation, durations |
|
Year 4 |
Song - This little light of mine Pentatonic scale, gospel music, off-beat, rhythm, call-and-response |
Song - This little light of mine Pentatonic scale, gospel music, off-beat, rhythm, call-and-response |
Song - The doot doot song (Classroom percussion) Chords (A minor, C and F major), acoustic guitar style, song structure, relaxed swing feel, 2-bar phrases |
Percussion lessons |
Song - The doot doot song (Classroom percussion) Chords (A minor, C and F major), acoustic guitar style, song structure, relaxed swing feel, 2-bar phrases |
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|
Year 5 |
Song - What shall we do with the drunken sailor? Sea shanties, beat, rhythm, chords, bass, dot notation |
Song - What shall we do with the drunken sailor? Sea shanties, beat, rhythm, chords, bass, dot notation |
Song - Madina tun nabi Nasheed (Islamic song), drone, melody, harmony, chords (G and D), vocal decoration, microtones |
Song - Madina tun nabi Nasheed (Islamic song), drone, melody, harmony, chords (G and D), vocal decoration, microtones |
Song – Kisne banaaya Focus- a song from India and Pakistan, melody, accompaniment, four-part singing in a round, creating an arrangement |
Song – Kisne banaaya Focus- a song from India and Pakistan, melody, accompaniment, four-part singing in a round, creating an arrangement |
|
Year 6 |
Song - Hey, Mr Miller Swing music, syncopation, swing rhythm, big band instruments, scat singing, social and historical context (WWII, segregation) |
Song - Hey, Mr Miller Swing music, syncopation, swing rhythm, big band instruments, scat singing, social and historical context (WWII, segregation) |
Song - Dona nobis pacem Texture (3-part round/polyphonic texture), monophonic homophonic, 3/4 time, durations (crotchet, rest, quavers, minim, dotted minim, dotted crotchet), sacred vocal music, singing in harmony, |
Song - Dona nobis pacem Texture (3-part round/polyphonic texture), monophonic homophonic, 3/4 time, durations (crotchet, rest, quavers, minim, dotted minim, dotted crotchet), sacred vocal music, singing in harmony, |
Song – Ames au vala tara bal Indian music, bhairavi raag, chaal rhythm, musical instruments, Indian musical styles comparison |
Song – Ames au vala tara bal Indian music, bhairavi raag, chaal rhythm, musical instruments, Indian musical styles comparison. |
Music Development Plan
Music Development Plan
Overview
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Detail |
Information |
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Academic year that this summary covers |
2025-2026 |
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Date this summary was published |
01/09/25 |
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Date this summary will be reviewed |
01/09/26 |
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Name of the school music lead |
Cara Upton Hurst |
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Name of school leadership team member with responsibility for music (if different) |
Laina Pettifor |
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Name of local music hub |
West of England Music Alliance (WEMA) |
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Name of other music education organisation(s) (if partnership in place) |
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This is a summary of how our school delivers music education to all our pupils across three areas – curriculum music, co-curricular provision and musical experiences – and what changes we are planning in future years. This information is to help pupils and parents or carers understand what our school offers and who we work with to support our pupils’ music education.
Part A: Curriculum music
This is about what we teach in lesson time, how much time is spent teaching music and any music qualifications or awards that pupils can achieve.
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At Milton Park we use the Sing Up's primary music curriculum to deliver high-quality classroom music throughout the school. Our resources support a creative and active musical approach to lessons, connecting singing and playing, composing and improvising, listening and appraising. Each unit is mapped against the Statutory Framework for Early Years, the national curriculum and the model music curriculum, with an overview of how outcomes can be delivered for every year group. · in Years 1–6, lessons are a minimum of 40 minutes and are taught by class teachers · daily music opportunities within EYFS as part of purposeful learning environment include access to musical instruments · termly singing assemblies further supplement this musical learning in each key Stage including weekly singing lessons in class · ‘Song of the week’ which covers a range of songs, tunes and key culture musical influences from within our British national landscape · work in partnership with WEMA to access whole class music workshops e.g. African music or steel pan drums workshop; inter school music opportunities such as Raise the Roof for Year 3 and 4 and Summer Sing for Year 2 · provide network opportunities for our music lead within our multi-academy trust and within WEMA with the annual music conference and liaising directly with WEMA music hub lead · children in Year 4 will be learning an instrument as a whole-class ensemble taught by music specialists from WEMA as part of the Wider Opportunities programme. Each project lasts 10 weeks and culminates in a performance where children perform songs and pieces for an invited audience of parents/carers. To read in more detail about WEMA and the services they provide, please visit their website: WEMA - West of England Music Alliance |
Part B: Co-curricular music
This is about opportunities for pupils to sing and play music, outside of lesson time, including choirs, ensembles and bands, and how pupils can make progress in music beyond the core curriculum.
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Peripatetic music lessons Peripatetic lessons take place every week. Teachers come from North Somerset Music Service. We provide the opportunity for lessons in keyboard/piano, guitar, violin, brass and woodwind. Children are offered the opportunity to learn one of these instruments from the beginning of Y3. They are given the chance to progress through the stages and earn certificates. Instruments can be hired from our local music hub to reduce costs for parents and lessons are offered at a subsidised cost. |
Part C: Musical experiences
This is about all the other musical events and opportunities that we organise, such as singing in assembly, concerts and shows, and trips to professional concerts.
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Whole School Assemblies We start assemblies with a singing or listening to music from different eras and genres. We also use music to accompany, key national and cultural days in our national calendar. Singing Assemblies Singing Assemblies take place termly, giving the children opportunities be taught new songs, to listen to and sing a variety of musical styles. They are taught warm ups so that they can look after their voices and are often given the chance to perform their songs in other assemblies and in school events. Songs are often linked to themes/topics that the children are learning about / talking about at that time, or linked to the season. Annual Performances As part of our seasonal celebrations, we use a range of music including hymns and instrumental pieces for our children to perform too. Children, through these different performances will: · use their voices expressively and creatively by singing songs and speaking chants and rhymes · listen with concentration and understanding to a range of high-quality live and recorded music We have the following seasonal performances every year, where children perform to an audience of invited family, their peers, and the school community: · whole school Harvest Service · EYFS Christmas Nativity · Key Stage 1 Christmas Performance · Key Stage 2 Carol Service Children also perform alongside peers from other schools in the local area through events coordinated by WEMA: Year 2 Summer Sing and Year 3/4 Raise the Roof. Music is linked to other curriculum areas. We use music in PSHE to explore feelings as part of our Jigsaw curriculum; in science to explore sound and how is created and in PE, all year groups use music to support dance units. |
In the future
This is about what the school is planning for subsequent years.
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· CPD and capacity planning – plan CPD for classroom teachers to increase confidence in singing in the classroom and delivery. · Links with external music organisations – to support recruitment of children for instrumental and after school activities, alongside inspiring future musicians and opportunity to see a live concert. · Performance opportunities – broaden the range of performance opportunities for children in school and beyond for parents to attend. · Increase visiting musicians, choir and music ensemble; class music assemblies for parents showcasing music curriculum music. · school orchestra/ ensemble – build uptake of instruments to work towards a school orchestra. · musical engagement with feeder secondary schools– look for opportunities to work with feeder secondary school for transition. · additional funding from hub/charities/fundraising – proactively try to find additional funding for music (e.g. PTA; local charities. |



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